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How Live Music is Coping

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Colin Pate was toiling away at his North Philadelphia recording studio in late June when he received an unbelievable text message: “Secret show at Johnny Brenda’s tonight, 6:30.”

Like so many places, the beloved Philly music venue has been shuttered since the Covid-19 pandemic first flared up in March. The 250-person venue, a staple of the local music scene that served as an early stage for Philly acts like Kurt Vile and The War on Drugs, used to host shows almost every night. While locals can still order take-out food and drinks from the bar, nobody expected a band to play there — or anywhere else for that matter — until sometime next year.

“At first, I thought it was a joke,” says Pate, a local musician and recording engineer who has spent the pandemic bouncing between at-home isolation, recording solo in the studio and working at local bars to cover his rent. Like every other musician in town, Pate’s hopes of playing any shows were dashed by the outbreak months earlier. By late June, the prospect of attending one seemed just as unlikely. 

But this show was different. Rather than switch the upstairs stage lights back on, the venue’s staff hauled a PA system onto the roof of the building. Pat Finnerty and the Full Band, an impromptu group of local musicians led by guitarist and singer Pat Finnerty, set up their gear, did a sound check, and proceeded to tear through covers of David Bowie, Marvin Gaye, Neil Young and, appropriately enough given the rooftop perch, The Beatles.

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